
“The concert reached a point of intimacy and sensitive communion, that the audiences breath became a part of the composition.” Horacio Lapunzina, Diario Uno, Paraná, Entre Ríos, Argentina, 15.08.2005 |
“Costas´s versions of Villa-Lobos Douze Etudes for guitar are as close to the rain forest as they are to Bach’s Well Tempered Clavier.” Dean Frey, The Villa-Lobos Magazine, Canada, Tuesday 10th April 2012 |
“Virtuoso of the guitar, specialist of the contemporary and avant-garde repertory.” Silvano Picchi, La Prensa, Buenos Aires, Argentina, Dezember 1984 |
” Carlé Costa, revelation of the Ushuaia International Classical Music Festival 2011, created an unsurpassed climate of intimacy, beauty and art.” Pablo Kohan, La Nación, Argentina, 20th April 2011 |
“Carlé Costa reveiles worlds beyond our imagination so that we desire for more to visit those places again and again.” Dr. Lynn McGrath, Concert-guitarist,Tour-Director of “Guitar Foundation of America”, USA |
“Great mastery interpreting his own humanistic music. Warm communication with the audience.” Anders Bragsjö, Uppsala Nya tidning, Sweden, 05.02.2003 |
“Carlé Costa is author of a profound and risky, sophisticated and highly developed concept of the classical guitar.” Alessandro Podestá, Rumbosur, Uruguay, 2008 |